Tusa – KAROL G and Nicki Minaj

Released in November 2019, “Tusa” is a dynamic collaboration between Colombian reggaeton star KAROL G and American rapper Nicki Minaj. The song has become a notable example of how cross-cultural collaborations can produce chart-topping hits that resonate with global audiences. With its catchy beat, compelling lyrics, and striking visuals, “Tusa” has made a significant impact on the music industry, showcasing the blending of Latin and mainstream pop influences.

Musical Composition and Lyrics

“Tusa” combines reggaeton’s infectious rhythm with contemporary pop elements, creating a track that is both danceable and emotionally resonant. The song is characterized by its catchy beat, which features a smooth blend of reggaeton rhythms and melodic hooks. The production, handled by Ovy On The Drums and Karol G herself, is polished yet maintains the energetic and vibrant essence of reggaeton.

The lyrics of “Tusa” revolve around themes of heartbreak and empowerment. The title, “Tusa,” is a Spanish term for a broken heart or emotional pain. The song’s chorus captures this sentiment, with KAROL G and Nicki Minaj expressing their feelings of betrayal and the desire to move on from a past relationship. Despite the emotional undertone, the song’s upbeat tempo and catchy melody give it an anthemic quality, encouraging listeners to dance and sing along.

KAROL G’s verses are delivered in Spanish, reflecting her reggaeton roots and cultural background. Her vocal performance is both powerful and relatable, conveying a sense of personal experience and resilience. Nicki Minaj’s contribution, delivered in English, adds a layer of global appeal and complements KAROL G’s verses with her signature flow and lyrical prowess. The blend of Spanish and English creates a unique and engaging dynamic, appealing to a diverse audience.

Music Video and Visual Representation

The official music video for “Tusa,” directed by Mike Ho, enhances the song’s vibrant energy with its visually captivating scenes. Released alongside the song, the video quickly became a visual sensation, garnering millions of views on YouTube and further elevating the track’s popularity.

The video opens with a dramatic scene in a luxurious setting, establishing a glamorous and high-energy atmosphere. KAROL G and Nicki Minaj are featured prominently, showcasing their distinctive styles and personalities. The visual narrative includes scenes of elaborate parties, stylish outfits, and dynamic dance sequences, reflecting the song’s themes of celebration and empowerment.

Throughout the video, there are striking contrasts between different settings, including opulent parties and more intimate, reflective moments. The use of vibrant colors, sophisticated choreography, and fashion-forward looks contributes to the video’s overall appeal and enhances the song’s upbeat and energetic vibe.

The chemistry between KAROL G and Nicki Minaj is evident throughout the video, with their performances complementing each other and adding to the song’s overall impact. The visual representation of “Tusa” aligns perfectly with the song’s themes, creating a compelling and memorable viewing experience.

Impact and Reception

“Tusa” received widespread acclaim from both fans and critics, further solidifying KAROL G’s position as a leading figure in reggaeton and Nicki Minaj’s status as a global pop sensation. The song performed exceptionally well on international charts, reaching the top ten in multiple countries, including the United States, Colombia, and Spain.

The success of “Tusa” can be attributed to several factors, including the strong collaboration between KAROL G and Nicki Minaj, the song’s catchy melody, and the visually engaging music video. The track’s blend of reggaeton and pop elements showcased the growing influence of Latin music in the mainstream pop scene and highlighted the potential for successful cross-cultural collaborations.

The song’s impact extends beyond its commercial success. “Tusa” represents a milestone in the fusion of Latin and global pop music, demonstrating the potential for artists from different backgrounds to create impactful and memorable music together. The collaboration also paved the way for future projects that bridge cultural and linguistic divides, furthering the reach and influence of Latin music on the global stage.

Legacy and Continued Relevance

The legacy of “Tusa” is reflected in its continued popularity and influence within the music industry. For KAROL G, the song further established her as a major force in reggaeton and Latin music, while for Nicki Minaj, it highlighted her versatility and ability to connect with audiences across different genres and regions.

The success of “Tusa” has had a lasting impact on both artists’ careers and on the broader music landscape. It exemplifies the growing acceptance and appreciation of Latin music within mainstream pop culture and underscores the potential for future collaborations that blend diverse musical influences.

As a testament to the power of music to bridge cultural divides and connect audiences worldwide, “Tusa” remains a significant and influential track in the careers of both KAROL G and Nicki Minaj. The song’s blend of reggaeton rhythms, pop melodies, and engaging visuals has solidified its place as a memorable and impactful hit.

Conclusion

“Tusa” by KAROL G and Nicki Minaj is a powerful example of how cross-cultural collaborations can produce chart-topping hits that resonate with a global audience. With its catchy beat, compelling lyrics, and visually captivating music video, the song showcases the fusion of Latin and mainstream pop influences. The success of “Tusa” highlights the growing influence of Latin music on the global stage and demonstrates the potential for future collaborations between artists from different backgrounds. As a significant and influential track, “Tusa” continues to celebrate the power of music to connect people across cultures and borders.

Lyrics:

¿Qué pasa contigo? Dímelo
Rrr!
O-O-Ovy on the Drums! (Mmm)

Ya no tiene excusa (No, no)
Hoy salió con su amiga dizque pa’ matar la tusa (Ah; tusa)
Que porque un hombre le pagó mal (Ah)
Está dura y abusa (Eh)
Se cansó de ser buena
Ahora es ella quien los usa (Hmm-mm)
Que porque un hombre le pagó mal (Mal)
Ya no se le ve sentimental (-tal)
Dice que por otro man no llora, no (Llora)

Pero si le ponen la canción (Hmm)
Le da una depresión tonta
Llorando lo comienza a llamar
Pero él la dejó en buzón (-zón)
¿Será porque con otra está (Con otra está)
¿Fingiendo que a otra se puede amar?

Pero hice todo este llanto por nada
Ahora soy una chica mala
And now you kickin’ and screamin’, a big toddler
Don’t try to get your friends to come holla, holla (Holla)
Ayo (Kyuh!), I used to lay low (Uh-huh)
I wasn’t in the clubs, I was on my J.O. (Oop!)
Until I realized you a epic fail, yo
So don’t tell your guys that I’m still your bae, yo (Ah!)
‘Cause it’s a new day, I’m in a new place (Uh-huh)
Gettin’ some new D, sittin’ on a new face (Okay)
‘Cause I know I’m the baddest bitch that you ever really met (Oop!)
You searchin’ for a badder bitch, and you ain’t met her yet (Oop!)
Ayo! Tell ’em to back off, he wanna slack off
Ain’t no more booty calls, you gotta jack off
It’s me and Karol G, we let them racks talk
Don’t run up on us, ’cause they lettin’ the Makks off (Rrr!)

Pero si le ponen la canción (Hmm)
Le da una depresión tonta (Tonta)
Llorando lo comienza a llamar
Pero él la dejó en buzón (No)
¿Será porque con otra está (Con otra está)
¿Fingiendo que a otra se puede amar?
Eh, ah

Un-un shot pa’ la pena profunda (Un shot, eh)
Y seguimo’ gastando la funda (La funda)
Otro shot pa’ la mente (Yeah, yeah)
Pa’ que el recuerdo no la atormente (Ah; oh)
Ya no le copia a nada (Na’)
Su ex ya no vale nada (Nada)
Se va pa’ la disco y sólo quiere perrear (Perrear)
Pero se confunde cuando empieza a tomar (Tomar)

Ella se cura con rumba (Ah)
Y el amor pa’ la tumba (Yeah)
To’ los hombre’ le zumban (Le zumban)

Pero si le ponen la canción (Oh)
Le da una depresión tonta (Tonta)
Llorando lo comienza a llamar
Pero él la dejó en buzón (Oh)
¿Será porque con otra está (Con otra está)
¿Fingiendo que a otra se puede amar?

Hey, Karol G (Ajá; Karol G)
Nicki Minaj (Ah, ajá), hey
“The Queen” with “The Queen” (Ajá, jajaja)
O-O-Ovy on the Drums
Ay!

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