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Rock and Roll Hall of Famers Bon Jovi are back with a bang! Their latest single, "Legendary," released in March 2024, marks the first taste of their upcoming sixteenth studio album, "Forever." The song is a mid-tempo rocker that boasts a powerful message about finding fulfillment in everyday life and celebrating the enduring spirit of rock and roll. This release comes after a four-year hiatus, with frontman Jon Bon Jovi overcoming vocal issues that required surgery.

"Legendary" opens with a contemplative acoustic guitar intro, setting the stage for Jon Bon Jovi's instantly recognizable vocals. Gone are the high-octane screams of their younger days; instead, Bon Jovi delivers a more mature and soulful performance, brimming with sincerity. The lyrics, co-written by Jon with Billy Falcon and John Shanks, explore themes of self-reflection and finding value in the simple things. Lines like "Who are you and who am I / To think that we could ever fly?" establish a sense of groundedness, a stark contrast to the aspirational anthems of their earlier work.

However, the song isn't simply a nostalgic ballad. The chorus explodes with a driving beat and a soaring guitar solo by Phil X, reminding listeners that Bon Jovi haven't lost their rock and roll edge. Lines like "I raise my hands up to the sky / Don't need more to tell me I'm alive / Got what I want / Cause I got what I need" showcase a sense of contentment and a celebration of life's simple pleasures.

The song also pays subtle homage to Bon Jovi's musical influences. References to Neil Diamond and Van Morrison weave a sense of classic rock nostalgia into the song's fabric. This isn't just a new Bon Jovi song; it's a love letter to the music that inspired them and continues to inspire generations of fans.

"Legendary" has been met with positive reception from critics and fans alike. Many praise the song's heartfelt message and Jon Bon Jovi's powerful vocals, marking a successful return to form for the legendary band. Social media has been buzzing with excitement for the upcoming album, with fans eager to hear the full scope of Bon Jovi's creative evolution.

The release of "Legendary" signifies more than just a new song; it marks a new chapter for Bon Jovi. The song embraces their veteran status while showcasing their ability to evolve and adapt to changing times. It's a testament to the enduring power of rock and roll and the ability of music to connect with audiences across generations.

Whether you're a lifelong Bon Jovi fan or a new listener discovering their music for the first time, "Legendary" is a song that resonates with its message of finding joy in the ordinary and celebrating the things that make life truly legendary. With a new album on the horizon and a renewed creative spark, Bon Jovi seems poised to continue their reign as rock and roll royalty for years to come.



Lyrics:

Who are you and who am I,
To think that we could ever fly?
It don’t pay to even try
Work, get paid, and just get by
Sons of sons, bricks on bricks
What’s broken you don’t try to fix
Round here there ain’t no “whys” and “ifs”
You don’t pick up what you can’t lift

I raise my hands up to the sky
Don’t need more to tell me I’m alive

Got what I want
Cause I got what I need
Got a fistful of friends
That’ll stand up for me
Right where I am
Is where I wanna be.
Friday night comes
Around like a song
Sweet Caroline and we all sing along,
Got my brown eyed girl
And she believes in me.
Legendary

I know this town
Like the back of my hand
Every crack in the sidewalk
Tells me who I am
Live and you love
Is the law of the land
These are our dreams
That’s where we stand

Raise my hands up to the sky
Don’t need more to tell me I’m alive

Got what I want
Cause I got what I need
Got a fistful of friends
That’ll stand up for me
Right where I am
Is where I wanna be.
Friday night comes
Around like a song
Sweet Caroline and we all sing along,
Got my brown eyed girl
And she believes in me.
Legendary

Who are you and who am I
To think that we could ever fly

Got what I want
Cause I got what I need
Got a fistful of friends
That’ll stand up for me
Right where I am
Is where I wanna be.
Friday night comes
Around like a song
Sweet Caroline and we all sing along,
Got my brown eyed girl
And she believes in me.
Legendary
Legendary

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The Argentinian music scene witnessed a compelling collaboration with the release of "Te Prefiero" (I Prefer You) by Ke Personajes and Dread Mar I. This melancholic offering blends elements of trap and reggae, exploring themes of lost love, frustration, and the lingering hope of reconciliation. The accompanying visualizer, a collage of symbolic imagery, further emphasizes the song's emotional journey.

"Te Prefiero" opens with a melancholic melody, setting the tone for the introspective lyrics. Ke Personajes, known for his raw and emotional delivery, takes the lead, lamenting a love that has faded. Lines like "Siento que tú ya no sientes lo mismo" (I feel like you don't feel the same anymore) and "Pasa el tiempo y todo es distinto" (Time passes and everything is different) paint a picture of a relationship on the brink of collapse. His voice conveys a sense of longing and frustration, highlighting the struggle of holding onto a love that may be slipping away.

The arrival of Dread Mar I, a veteran reggae artist known for his conscious lyrics and smooth vocals, adds another layer of depth to the song. He raps about the complexities of relationships, acknowledging the possibility of change and growth. Lines like "Las lágrimas no sirven" (Tears are no use) and "Ya no eres la misma de ayer" (You're not the same as you were yesterday) offer a sense of acceptance, albeit tinged with sadness.

Despite the melancholic tone, the song's title, "Te Prefiero" (I Prefer You), offers a glimmer of hope. It suggests that despite the challenges and frustrations, the love hasn't completely vanished. There's a lingering desire for reconciliation, a willingness to work things out if only the other person reciprocates the sentiment.

The accompanying visualizer, directed by Estudio Y, amplifies the song's emotional core. A collage of symbolic imagery unfolds, showcasing a couple in happier times juxtaposed with scenes of solitude and despair. The use of rain and overcast skies reflects the emotional turmoil within the song, while flickering lights symbolize the fading embers of love.

The visualizer also incorporates urban landscapes and graffiti art, elements often associated with Ke Personajes' signature trap style. This visual interplay creates a bridge between the two artists' musical backgrounds, further solidifying the seamless blend of genres in the song.

"Te Prefiero" has resonated with fans across Argentina and beyond. The relatable themes of lost love and the yearning for connection have struck a chord with listeners. Social media has been flooded with comments praising the song's honest portrayal of heartbreak and the vulnerability showcased by both artists.

The collaboration between Ke Personajes and Dread Mar I is a testament to the versatility of Argentinian music. It proves that powerful emotions can be conveyed through a fusion of genres. "Te Prefiero" is a song that lingers long after the last note fades, leaving listeners pondering the complexities of love and the resilience of the human heart.

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The Mexican music scene gets a dose of heartbreak with the release of "Por Qué Será" (Why Will It Be) by rising star Robleis and established group La Konga. This poignant ballad, accompanied by a beautifully melancholic music video, explores the pain of lost love and the struggle to move on.

"Por Qué Será" opens with a gentle guitar melody, setting the stage for Robleis's heartfelt vocals. His voice aches with raw emotion as he sings about a love that has faded. The lyrics, co-written by Robleis and Nelson Velasquez of La Konga, paint a vivid picture of a relationship gone wrong. Lines like "Nena no puedo aceptar que te olvidaste de mí" (Baby, I can't accept that you forgot about me) and "Ya no sé ni dónde estás" (I don't even know where you are anymore) resonate with anyone who has experienced the loss of a loved one.

The arrival of La Konga in the chorus adds a layer of depth and maturity to the song. Their smooth harmonies provide a sense of comfort and understanding, acknowledging the universality of heartbreak. The line "Sé que me toca perder" (I know it's my turn to lose) is sung with a quiet acceptance, highlighting the bittersweet nature of moving on.

The accompanying music video, directed by Roris Audiovisual, perfectly complements the song's emotional core. Shot in black and white, the video focuses on Robleis wandering through empty streets and desolate landscapes. The stark visuals reflect the emptiness he feels after the relationship's end. Intercut with these scenes are glimpses of a happier past, highlighting the sharp contrast between what was and what is.

Despite the melancholic tone, "Por Qué Será" offers a glimmer of hope. The final shot of Robleis looking towards the horizon suggests a future where he will eventually heal and move on. This subtle message of resilience adds a layer of complexity to the song's emotional journey.

"Por Qué Será" has resonated with fans across generations. The relatable lyrics and heartfelt performances from Robleis and La Konga have struck a chord with those who have experienced the pain of heartbreak. Social media has been flooded with comments praising the song's authenticity and its ability to capture the emotional complexities of love and loss.

The collaboration between Robleis and La Konga is a match made in musical heaven. Robleis's youthful energy and raw vocals blend seamlessly with La Konga's experience and established sound. "Por Qué Será" showcases the talent of both artists and their ability to connect with listeners on a deeper emotional level.

While the song may not be a dancefloor anthem, it is a powerful testament to the enduring power of balladry. "Por Qué Será" is a song that will stay with you long after the last note fades, leaving a bittersweet reminder of love's enduring hold on our hearts.

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Argentine trap icons Khea and C.R.O join forces with the rising star Neo Pistea for the electrifying anthem "100oMIL" (100 Million). Released alongside a captivating visualizer, the song is a celebration of success, hustle, and the unwavering pursuit of reaching the top.

"100oMIL" wastes no time establishing its braggadocious spirit. The opening bars explode with a heavy trap beat, punctuated by booming bass and pulsating synths. Khea takes the lead, his voice dripping with confidence as he raps about his relentless grind and the financial rewards that come with success. Lines like "Recorro su cuerpo, lo recorro entero" (I explore her body, I explore it all) and "Tengo un par de gatas malas / Que mueren por plata y fama" (I got a couple of bad girls / Who die for money and fame) showcase the braggadocio that is a staple of the trap genre.

The arrival of C.R.O adds another layer of swagger to the mix. His rapid-fire delivery complements Khea's style perfectly, creating a dynamic back-and-forth flow. Both rappers trade verses filled with boasts about their lavish lifestyles, expensive cars, and the adulation they receive. However, beneath the surface bravado, there's a hint of vulnerability.

Lines like "Y se siente como ah-ah ah-ah ah-ah" (And it feels like ah-ah ah-ah ah-ah) and "No lo puedo explicar" (I can't explain it) hint at the emotional roller coaster of success and the struggle to maintain authenticity amidst the trappings of fame.

The accompanying visualizer, directed by Estudiozmn, keeps the focus firmly on the lyrics. Bold white text against a stark black background displays the rappers' words, punctuated by occasional flashes of vibrant colors and abstract shapes. The visual simplicity allows the music and lyrics to take center stage, further emphasizing the song's message of relentless pursuit and unwavering self-belief.

The arrival of Neo Pistea in the second half of the song injects a dose of youthful energy. His verse boasts about overcoming challenges and making it big despite the odds. The line "El mejor de la new wave estamos haciendo cash all day" (The best of the new wave, we're making cash all day) perfectly encapsulates the aspirations of a new generation of artists aiming for the top.

"100oMIL" is a surefire hit for fans of Argentinian trap. It delivers everything they've come to expect from the genre – catchy beats, braggadocious lyrics, and a celebration of success. However, the underlying vulnerability and the inclusion of the rising star Neo Pistea hint at an evolution within the genre, acknowledging the emotional complexities of fame while paving the way for a new wave of artists. Whether you find yourself nodding along to the beat or analyzing the deeper themes, "100oMIL" is an undeniable anthem of ambition and the pursuit of a dream.



Letra:

Y con ella resolví el desorden
Tienes el maldito no sé que
Aunque a veces camino en el borde
Me sostiene antes de caer
Y se siente como
Ah- ah
Ah- ah
Ah- ah
Ah- ah
Ah- ah
Ah- ah
Ni yo lo puedo explicar
Ah- ah
Ah- ah
Ah- ah
Ah- ah
Ah- ah
Ah- ah

Yeah
Yeah, que vengan cien o mil, sin ella me muero
Yeah
Su amor me hace sentir mejor que el dinero
Yeah
Recorro su cuerpo, lo recorro entero
Y me dijo que la quiera cuando estaba en cero

Ye
Ya lo se baby yo soy un rockstar
Ni aterrice y ya tengo que despegar
Vivo de gira nunca te puedo llamar
Baby te doy buen sexo pero se que te hago mal

Tamos bien te escribí otro Mixtape
El mejor de la new wave estamos haciendo cash all day
Otro party otra escala
Tengo un par de gatas malas
Que mueren por plata y fama
Pero nadie se te compara mami
Que vengan cien o mil, sin ella me muero
Su amor me hace sentir mejor que el dinero
Recorro su cuerpo, lo recorro entero
Y me dijo que la quiera cuando estaba en cero

No se me acaba el amor por la bitch
La saca y se acaba, se pasa la bitch
Me saca en la mala es que me ama la bitch
Se saca en la cama una sata la bitch
1 kilo de zaza pa San Valentín
Siente por acá sentí mi serpentín
Ya van 3 y estamos para repetir
Quiere trapicheo te lo vende el team
Si somos impares, si somos iguales
Somos ideales
Par que no salen, que ya no salen, por ilegales
Di que no pare, di que me pare vamo a la pared bitch
Que el gato baile o para got talent si no le sale así

Baby no quiere los mile
No quiere no es mili
No quiere no es pili
Lo tiene lo baja
Lo sube lo baja
Yo soy como billy
Ladrón de la dity
Lo se

La llevo a merlo se queda
Le gusta los diling
Si quiere lo really
Yo le hago en la cara
Un makeup un peeling
Fumamos un phillie con miel
Y se siente como
Ah- ah
Ah- ah
Ah- ah
Ah- ah
Ah- ah
Ah- ah

Ni yo lo puedo explicar
Ah- ah
Ah- ah
Ah- ah
Ah- ah
Ah- ah
Ah- ah

Yeah

Yeah
Que vengan cien o mil, sin ella me muero
Yeah
Su amor me hace sentir mejor que el dinero
Yeah
Recorro su cuerpo, lo recorro entero
Y me dijo que la quiera cuando estaba en cero

(Y con ella resolví el desorden
Tienes el maldito no sé que
Aunque a veces camino en el borde
Me sostiene antes de caer)

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Colombian heartthrob Feid is back with a sultry offering, "Alakran" (Scorpion), a song that blends infectious reggaeton rhythms with a touch of vulnerability. The accompanying music video, a visual feast of neon lights and captivating choreography, further amplifies the song's seductive energy.

Released in February 2024, "Alakran" quickly climbed the charts, solidifying Feid's position as a leading force in Latin music. The song's appeal lies in its ability to be both dance-floor ready and emotionally resonant. The reggaeton beat pulsates with energy, inviting listeners to move, while the lyrics explore themes of desire, betrayal, and the sting of a love gone wrong.

Feid's vocals are a highlight of the song. He delivers the lyrics with a smooth sensuality, effortlessly navigating between playful confidence and a hint of underlying pain. The opening line, "Yo sé lo que tú quieres, mami" (I know what you want, baby) sets a direct tone, while the chorus pleads, "No me hagas picar, yo soy un alacrán" (Don't make me sting, I'm a scorpion), a metaphor for his guarded heart after experiencing betrayal.

The music video, directed by Daniel DuQUE, perfectly complements the song's seductive atmosphere. The scene opens with Feid bathed in neon lights, surrounded by a group of alluring dancers. The choreography is a blend of sensuality and danger, mirroring the lyrics' exploration of desire and emotional turmoil. As the video progresses, the visuals shift, showcasing Feid alone in a stark, industrial setting, reflecting the isolation and pain of heartbreak.

The contrast between these two settings is visually striking and reinforces the song's central themes. The vibrant, dance-filled scenes represent the initial allure of the relationship, while the more solitary moments depict the aftermath of betrayal. The use of close-ups on Feid's face throughout the video allows viewers to connect with his emotional vulnerability, adding depth to the song's message.

"Alakran" has sparked conversation among fans, with some praising its catchy beat and others intrigued by the metaphorical use of the scorpion. Social media has been abuzz with fan interpretations, with many drawing parallels between the song's themes and their own experiences with love and betrayal.

Feid's "Alakran" is more than just a reggaeton song; it's a captivating exploration of desire, betrayal, and the emotional consequences of love. The song's infectious melody, Feid's smooth vocals, and the visually stunning music video create a powerful package that is sure to leave a lasting impression. "Alakran" further cements Feid's status as a rising star in Latin music, with his ability to blend danceable rhythms with introspective themes.



Lyrics:

Las chimbitas a ver donde estan?
Que pelen las nalguitas como chin chan
Se sientan en la silla del huracán
Viper Viper no confia en na’ Ey!
Ojitos verdes son de Bottega
Me llega a la casa flow Servientrega
Carolina, Tati y Marcela
Todas boutique yeah! todas marguiella uy!
Todas caen dominó
Hoy es viernes van pa el club
They’re shiny sim ellas las Que hacen el gol
No hacen fila para el VIP con los tacos, las tennis de Loui V
Ellas llegaron sorneras en SUV todas caras diamantes, anillos, rubí
Hey!
Toa’ las babies llegan al party
Unas paisitas otras de Cali
Otras flow exóticas Miami
Todos los gatos buscando las mamis
(X2)

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“GOING SEVENTEEN SPECIAL 기타 등등 : 바니바니 바니바니 근황근황 (ETC : Bunny Bunny Update Update)” is a song released by the South Korean boy band SEVENTEEN on the group’s YouTube channel. The song is part of the group’s “GOING SEVENTEEN” variety show series, and it features the members of SEVENTEEN performing a song called “Bunny Bunny” that they originally wrote and performed during their trainee days.

The song is a cute and catchy pop song, and it showcases the group’s vocals and dancing skills. The members of SEVENTEEN sing about being bunnies and hopping around. The song is a fun and light listen, and it’s sure to put a smile on anyone’s face.

The song is accompanied by a music video that features the members of SEVENTEEN performing the song in various locations, including a forest, a meadow, and a playground. The video is fun and energetic, and it perfectly captures the spirit of the song.

The song has been well-received by fans, who have praised the group’s vocals, dancing, and overall cuteness. The song has also been popular on social media, where it has been used in various videos and memes.

Overall, “GOING SEVENTEEN SPECIAL 기타 등등 : 바니바니 바니바니 근황근황 (ETC : Bunny Bunny Update Update)” is a cute and catchy song that is sure to put a smile on anyone’s face. It is a fun and light listen, and it showcases the vocals and dancing skills of the members of SEVENTEEN. If you’re a fan of SEVENTEEN, or if you’re just looking for a good song to listen to, then I highly recommend checking out “[GOING SEVENTEEN SPECIAL] 기타 등등 : 바니바니 바니바니 근황근황 (ETC : Bunny Bunny Update Update)”

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“GOING SEVENTEEN SPECIAL 기타 등등 : 네가 이걸 하는걸 보고 싶어 (ETC : I Want To See You Do This)” is a song released by the South Korean boy band SEVENTEEN on the group’s YouTube channel. The song is part of the group’s “GOING SEVENTEEN” variety show series, and it features the members of SEVENTEEN performing various tasks and challenges that were suggested by fans.

The song is a light and fun listen, and it showcases the group’s playful and energetic personalities. The members of SEVENTEEN sing about wanting to see each other do various things, such as dancing, singing, and playing games. The song is a great way for fans to get to know the members of SEVENTEEN better, and it’s sure to put a smile on anyone’s face.

The song is a mix of different genres, including pop, rock, and hip hop. This gives the song a diverse and interesting sound, and it keeps the listener engaged throughout. The members of SEVENTEEN all have different vocal styles, and they all get a chance to shine on this track. The song is well-produced, and it has a catchy melody that will stay stuck in your head long after you’ve listened to it.

The lyrics of the song are simple but effective. They express the members of SEVENTEEN’s desire to have fun and make memories with each other. The lyrics are also relatable to fans, who can imagine themselves doing the same things with their friends.

The song is accompanied by a music video that features the members of SEVENTEEN performing the various tasks and challenges that were suggested by fans. The video is fun and energetic, and it perfectly captures the spirit of the song.

Overall, “GOING SEVENTEEN SPECIAL 기타 등등 : 네가 이걸 하는걸 보고 싶어 (ETC : I Want To See You Do This)” is a great song that is sure to put a smile on anyone’s face. It is a light and fun listen, and it showcases the playful and energetic personalities of the members of SEVENTEEN. The song is well-produced, and it has a catchy melody that will stay stuck in your head long after you’ve listened to it. If you’re a fan of SEVENTEEN, or if you’re just looking for a good song to listen to, then I highly recommend checking out “GOING SEVENTEEN SPECIAL 기타 등등 : 네가 이걸 하는걸 보고 싶어 (ETC : I Want To See You Do This)”.