Smack That – Akon ft. Eminem

Released in 2006, Akon’s “Smack That” featuring Eminem became a defining track of its era, blending infectious beats with powerful lyrics and a captivating music video. As a standout single from Akon’s second studio album, Konvicted, the song garnered significant attention for its catchy hooks, controversial themes, and the dynamic collaboration between Akon and Eminem. The official music video, characterized by its vibrant visuals and high-energy performance, played a crucial role in cementing the song’s place in pop culture.

Background and Release

Akon, born Aliaune Thiam, first gained major recognition with his debut album Trouble (2004), which included hits like “Locked Up” and “Lonely.” His follow-up album, Konvicted, showcased a more diverse range of sounds and themes, further establishing him as a prominent figure in the music industry. “Smack That,” produced by Akon, Eminem, and Luis Resto, was released as a single in October 2006 and quickly became a commercial success, reaching the top 10 in multiple countries and earning critical acclaim.

The song is noted for its blend of hip-hop and dance elements, with a strong beat and catchy chorus that made it a favorite in clubs and on radio stations. The collaboration with Eminem, one of the most influential rappers of the time, added to the song’s appeal, bringing together two distinct musical styles in a seamless and engaging way.

Musical and Lyrical Analysis

“Smack That” features a blend of upbeat rhythms and pulsating bass, with a production style that is both energetic and infectious. The song’s instrumental arrangement includes a prominent drumbeat, rhythmic claps, and a driving bassline that create a club-ready atmosphere. Akon’s smooth, melodic vocals provide a contrast to the hard-hitting beats, while Eminem’s verses add a layer of lyrical intensity and rapid-fire delivery.

The lyrics of “Smack That” are notable for their playful and provocative nature. The song’s chorus, sung by Akon, is characterized by its catchy repetition:

“Smack that, all on the floor
Smack that, give me some more
Smack that, till you get sore
Smack that, ooh ooh ooh.”

The chorus plays on the dual meaning of “smack,” referring both to the physical act and to the figurative impact of the song. The verses, performed by Eminem, further explore themes of nightlife, partying, and flirtation, delivered with his characteristic bravado and sharp wordplay.

Eminem’s contribution to the track is marked by his rapid-fire rhyming and aggressive delivery. His verses are filled with references to his own experiences and observations, adding a layer of personal insight and authenticity to the song. The interplay between Akon’s melodic hooks and Eminem’s intense verses creates a dynamic contrast that drives the song’s energy.

The Music Video

The official music video for “Smack That” was directed by Gil Green and released in December 2006. It features a visually striking and high-energy presentation that complements the song’s lively beat. The video’s setting is a vibrant nightclub, filled with pulsating lights, energetic dancers, and a lively crowd, reflecting the song’s themes of nightlife and celebration.

Akon and Eminem’s performances in the video are characterized by their charisma and stage presence. Akon is seen performing on stage, surrounded by dancers and a captivated audience, while Eminem appears in a series of dynamic shots, showcasing his signature style and intensity. The video’s choreography and visual effects enhance the song’s infectious energy, creating a visually engaging experience for viewers.

The use of bright colors, fast-paced editing, and energetic dance sequences in the video aligns with the song’s upbeat and lively nature. The visual presentation effectively captures the essence of the track, making it a memorable accompaniment to the music.

Controversy and Reception

“Smack That” was not without its share of controversy. The song’s lyrics and themes sparked debate over their appropriateness, with some critics questioning the implications of the song’s provocative content. Despite this, the track was widely embraced by audiences and received significant airplay across radio and television.

The song’s success was reflected in its commercial performance. It reached the top 10 on the Billboard Hot 100 and charted in multiple countries, including Australia, Canada, and the United Kingdom. The popularity of “Smack That” helped solidify Akon’s position as a leading artist in the mid-2000s and further established Eminem as a dominant force in the rap industry.

Legacy and Impact

“Smack That” remains a defining track of the 2000s, known for its catchy hooks, high-energy production, and the memorable collaboration between Akon and Eminem. The song’s success contributed to the ongoing popularity of both artists and their influence on the music landscape of the time.

The track’s impact extends beyond its chart performance, as it continues to be a popular choice for parties and events, reflecting its enduring appeal. The music video, with its vibrant visuals and energetic performance, remains a standout example of early 2000s pop and hip-hop aesthetics.

Conclusion

Akon’s “Smack That” featuring Eminem is a quintessential example of mid-2000s pop and hip-hop, characterized by its infectious beat, catchy chorus, and dynamic collaboration. The song’s success was bolstered by its high-energy music video, which captured the essence of the track and contributed to its widespread popularity. Despite some controversy surrounding its content, “Smack That” remains a memorable and influential track in the careers of both Akon and Eminem, showcasing their ability to blend distinct musical styles and create a hit that resonates with audiences.

Shady
Konvict, Upfront
Akon, Slim Shady
I see the one
Could she be that lady?
Ayy

I feel you creepin’, I can see it from my shadow
Wanna jump up in my Lamborghini Gallardo?
Maybe go to my place and just kick it like Tae Bo?
And possibly bend you over?
Look back and watch me

Smack that, all on the floor
Smack that, give me some more
Smack that, ’til you get sore
Smack that, oh
Smack that, all on the floor
Smack that, give me some more
Smack that, ’til you get sore
Smack that, oh

Upfront style, ready to attack now
Pull in the parking lot slow with the ‘Lac down
Konvict’s got the whole thing packed now
Step in the club, the wardrobe intact now
I feel it, dawnin’ cracked now
Ooh, I see it dull and backed now
I’ma call her, then I put the mack down
Money no problem, pocket full of that now

I feel you creepin’, I can see it from my shadow
Wanna jump up in my Lamborghini Gallardo?
Maybe go to my place and just kick it like Tae Bo?
And possibly bend you over?
Look back and watch me

Oh, looks like another club banger
They better hang on when they throw this thang on
Get a little drink on, they gon’ flip
For this Akon shit, you can bank on it
Pedicure, manicure, kitty-cat claws
The way she climbs up and down them poles
Lookin’ like one of them Putty-Cat Dolls
Tryin’ to hold my woodie back through my drawers
Steps off stage, didn’t think I saw her
Creeps up behind me, and she’s like “You’re—”
I’m like, “I know, let’s cut to the chase
No time to waste, back to my place”
Plus from the club to the crib’s like a mile away
Or more like a palace, shall I say
And plus, I got a pal if your gal is game
In fact, he’s the one singin’ the song that’s playin’ (Akon!)

I feel you creepin’, I can see it from my shadow
Wanna jump up in my Lamborghini Gallardo?
Maybe go to my place and just kick it like Tae Bo?
And possibly bend you over? (Ooh, yeah)
Look back and watch me

Smack that, all on the floor
Smack that, give me some more
Smack that, ’til you get sore
Smack that, oh
Smack that, all on the floor
Smack that, give me some more (Yeah)
Smack that, ’til you get sore
Smack that, oh (Yeah, yeah)

Eminem’s rollin’, D and ’em rollin’
Bu and all marvelous, them rollin’
Women just ho-in’, big booty rollin’
Soon, I’ll be all in them and throwin’ D
Hittin’ no less than three
Block wheel style like, “Whee!”
Girl, I can tell you want me, ’cause lately

Akon Eminem