Post To Be – Omarion Ft. Chris Brown & Jhene Aiko

Released in 2014, Omarion’s hit single “Post To Be” featuring Chris Brown and Jhené Aiko quickly became a standout track in the modern R&B and hip-hop landscape. Known for its infectious beat, catchy lyrics, and the blend of three distinct vocal styles, the song is celebrated as a fun and carefree anthem that dominated radio waves and dance floors alike. The track was part of Omarion’s fourth studio album Sex Playlist and helped solidify his return to the music scene after a brief hiatus.

The official music video, directed by Jay Ahn, further amplified the song’s popularity, adding sleek visuals and stylish performances from all three artists. This article delves into the success of “Post To Be,” its musical components, the impact of its video, and the chemistry between Omarion, Chris Brown, and Jhené Aiko that made the song a massive hit.

The Song: A Perfect Blend of R&B and Hip-Hop
“Post To Be” is a perfect example of how modern R&B has evolved by embracing elements of hip-hop. Produced by DJ Mustard, a pioneer of the West Coast’s “ratchet” sound, the song features a bouncy, upbeat rhythm with minimalistic synths and clapping percussion, creating a groove that is both danceable and laid-back. DJ Mustard’s signature production style adds a West Coast flair to the track, blending seamlessly with the smooth, melodic voices of Omarion, Chris Brown, and Jhené Aiko.

Lyrically, the song revolves around themes of partying, having a good time, and maintaining confidence in relationships. The title “Post To Be” is a playful twist on the phrase “supposed to be,” suggesting that things are falling into place just as they should, whether in love, success, or life in general. The lyrics, while simple, are memorable, and each artist brings their own unique style to their verses, contributing to the overall appeal of the track.

Omarion’s Return to the Spotlight
For Omarion, “Post To Be” marked a significant return to the spotlight. After gaining fame as a member of the boy band B2K in the early 2000s and releasing a string of successful solo albums, his presence in the mainstream had somewhat diminished by the early 2010s. However, “Post To Be” revived his career, showcasing his ability to adapt to the evolving sound of R&B and connect with a new generation of listeners.

In the song, Omarion delivers a confident and flirtatious performance, setting the tone for the track. His smooth vocals are perfectly complemented by DJ Mustard’s production, making the song an ideal blend of old-school R&B sensibilities with modern, radio-friendly appeal. Omarion’s hook is catchy and instantly recognizable, ensuring that the track stays in the listener’s head long after it ends.

Chris Brown’s Electrifying Contribution
Chris Brown, known for his vocal versatility and energetic delivery, adds a dynamic layer to “Post To Be.” His verse showcases his signature style—confident, braggadocious, and laced with charisma. Brown’s ability to effortlessly switch between singing and rapping makes his contribution stand out, and his chemistry with Omarion is evident throughout the track.

Lyrically, Brown continues the party vibe, adding a touch of humor and wit to his verse. He references everything from designer fashion to his romantic escapades, all while maintaining an upbeat, fun energy. His star power undoubtedly helped boost the song’s visibility, as Brown was already one of the biggest names in R&B and hip-hop at the time.

Jhené Aiko’s Iconic Line
While both Omarion and Chris Brown deliver strong performances, Jhené Aiko’s verse is perhaps the most memorable part of the song, thanks to her now-iconic line: “But he gotta eat the booty like groceries.” The line quickly became a viral moment, sparking memes and discussions across social media. Aiko’s playful yet assertive delivery of the line added a cheeky and humorous element to the song, which resonated with many listeners.

Beyond the humor, Aiko’s verse also adds a different dimension to the song. Known for her softer, ethereal style, Aiko contrasts the more boisterous performances of Omarion and Chris Brown with her calm, sultry delivery. Her verse is both fun and empowering, allowing her to stand out while complementing the overall vibe of the track.

The Music Video: Sleek, Stylish, and Fun
The official music video for “Post To Be,” released in early 2015, is a sleek, minimalist visual that matches the song’s carefree energy. Directed by Jay Ahn, the video features Omarion, Chris Brown, and Jhené Aiko dancing against a series of simple, modern backdrops. The video’s choreography, led by both Omarion and Chris Brown—who are known for their dancing skills—is one of its highlights, adding an extra layer of entertainment.

In the video, each artist has their moment to shine. Omarion leads with smooth moves and charismatic energy, setting the stage for what is essentially a stylish dance party. Chris Brown, never one to shy away from showing off his dance prowess, delivers high-energy routines that remind viewers of his talent as a performer. Jhené Aiko, meanwhile, brings a more understated, but equally captivating presence, exuding confidence and charm.

The visuals are clean and polished, with a focus on the performers rather than any elaborate sets or effects. The simplicity of the video allows the chemistry between the three artists to take center stage, making it easy for fans to connect with the song’s playful and upbeat nature.

Cultural Impact and Legacy
“Post To Be” was a commercial success, peaking at number 13 on the Billboard Hot 100 and becoming a multi-platinum hit in the United States. Its infectious hook, memorable lyrics, and star-studded collaboration helped it become a staple on radio and playlists throughout 2015.

Jhené Aiko’s viral line became a cultural phenomenon, with countless memes and social media posts circulating around the lyric. The success of the song also helped reaffirm Omarion’s place in the music industry, proving that he could still create hits in an ever-changing musical landscape. For Chris Brown and Jhené Aiko, “Post To Be” added yet another successful collaboration to their already impressive resumes.

The song’s impact extended beyond its initial release, with many fans and critics hailing it as one of the best R&B collaborations of the decade. Its blend of catchy melodies, humor, and strong performances has ensured that “Post To Be” remains a fan favorite, even years after its release.

Conclusion
Omarion’s “Post To Be” is a modern R&B classic that showcases the talents of three of the genre’s biggest stars. With its infectious beat, playful lyrics, and viral moments, the song has left a lasting impression on both the music industry and popular culture. The official music video further enhances the song’s appeal, offering stylish visuals and entertaining choreography that capture the fun, carefree essence of the track. “Post To Be” continues to be celebrated as a feel-good anthem that bridges the gap between classic R&B and contemporary hip-hop, making it a standout hit in all three artists’ careers.

Omarion
Breezy
And your chick, your chick
(Mustard on the beat, ho)
Yeah
If your chick come close to me
She ain’t goin’ home when she ‘posed to be (no)
I’m gettin’ money like I’m ‘posed to be
I’m gettin’ money like I’m ‘posed to be
Ooh, all my niggas close to me
And all them other niggas where they ‘posed to be
Ooh, the hoes go for me
Have your chick send a pic, like, “Pose for me” (ooh)
That’s how it ‘posed to be (ah, ah)
Yeah, that’s how it ‘posed to be (ah, ah, ah, ah, ah)
Ooh, yeah, that’s how it ‘posed to be (ah, ah)
Everything good like it’s ‘posed to be (ah, ah, ah, ah)
Pull up to the club and it go up (go up)
Make your girl fall in love when I show up (woop-woop)
It’s not my fault she wanna know me (hey)
She told me you was just a homie (hahaha)
She came down like she knew me (hey)
Gave it up like a groupie (true)
And that’s facts, no printer (no printer)
Cold nigga turn the summer to the winter
She saved me in her phone as “Bestie”
But I had her screaming, “O”
Your girl wasn’t supposed to text me (nope)
You wanna know how I know what I know? (Hey)
If your chick come close to me
She ain’t goin’ home when she ‘posed to be (aw, yeah, no)
I’m gettin’ money like I’m ‘posed to be (yeah, yeah)
I’m gettin’ money like I’m ‘posed to be
Ooh, all my niggas close to me
And all them other niggas where they ‘posed to be
Ooh, the hoes go for me
Have your chick send a pic, like, “Pose for me”
Ooh, that’s how it post to be (ah, ah)
Yeah, that’s how it ‘posed to be (ah, ah, ah, ah, ah)
Yeah, that’s how it ‘posed to be (ah, ah)
Everything good like it’s ‘posed to be (ooh, ah, ah, ah, ah)
Got your girl in my section, finna go up (go up)
A nigga smokin’ loud, I’m ’bout to roll up (roll up)
She ain’t never got high like this with a guy like this
Once she pop it, tell her, “Hol’ up” (hol’ up)
Better believe she gon’ leave with a real nigga
I dick her down, can’t put it down like I do (like I do)
I get to bustin’, no discussion, gotta deal with it
Team us, we ain’t worried about you, oh
Murder she wrote, yeah, yeah
When I hit it, I’ma kill it, I’ma get it like (kill it)
Murder she wrote
You wanna know how I know what I know? (Oh)
If your dude come close to me
He gon’ want to ride off in a ghost with me (I’ll make him do it)
I might let your boy chauffeur me
But he gotta eat the booty like groceries
But he gotta get rid of these hoes from me
I might have that nigga sailin’ his soul for me
Ooh, that’s how it ‘posed to be
If he wants me to expose the freak
Ooh, that’s how it ‘posed to be
Ooh, that’s how it ‘posed to be
Ooh, that’s how it ‘posed to be
Everything good like it ‘posed to be (ooh)
If your chick come close to me (ooh) (if she come close to me)
She ain’t going home when she ‘posed to be (ooh) (oh, yeah, hey, hey)
Oh, yeah, I’m gettin’ money like I’m ‘posed to be (ooh) (‘posed to be)
I’m gettin’ money like I’m ‘posed to be (gettin’ money)
Ooh, all my niggas close to me (all my niggas close to me)
And all them other niggas where they ‘posed to be (yeah, yeah, yeah)
Ooh, the hoes go for me
Have your chick send a pic, like, “Pose for me” (ooh, girl)
Ooh, that’s how it ‘posed to be (ooh, yeah, ah, ah, ah, ah)
Yeah, that’s how it ‘posed to be (ooh, woah)
Yeah, that’s how it ‘posed to be (ooh, hey, ah, ah, ah, ah)
Everything good like it’s ‘posed to be (ooh)
She ’bout to ride out with me
And I don’t even know her name (no name)
But I know that she your girl, yeah (your girl, your girl, yeah)
She chose up, are you mad or nah?
Bruh, don’t be mad about it
These chicks be for everybody
Omarion
C Breezy
I’ll make him do it
I’ll make him do it