Justicia – Silvestre Dangond & Natti Natasha
“Justicia,” a collaboration between Colombian singer Silvestre Dangond and Dominican reggaeton star Natti Natasha, is a vibrant blend of vallenato and Latin urban rhythms. Released in 2018, the song became a hit not only for its catchy beats but also for its fusion of two distinct musical styles that highlight the unique voices and cultural backgrounds of both artists. The official video, released alongside the song, added to its popularity, showcasing a colorful and lively interpretation of this cross-genre collaboration.
The Artists Behind the Song
Silvestre Dangond is one of the most prominent figures in Colombian vallenato, a traditional folk music genre that originated from the Caribbean region of Colombia. Vallenato, known for its accordion-heavy melodies, is synonymous with storytelling, romance, and the expression of heartfelt emotions. Dangond, who has modernized the genre while staying true to its roots, has been instrumental in bringing vallenato to younger generations and international audiences. “Justicia” is another example of his efforts to keep vallenato relevant by fusing it with contemporary musical trends.
Natti Natasha, on the other hand, is known for her contributions to reggaeton and Latin urban music. With hits like “Sin Pijama” and “Criminal,” she has established herself as one of the leading female voices in the Latin music industry. Her unique style, blending sensuality with powerful lyrics, has resonated with audiences worldwide. “Justicia” gave Natasha an opportunity to explore a different musical avenue by collaborating with a vallenato star, expanding her versatility as an artist.
Musical Composition: A Blend of Genres
“Justicia” is a perfect example of how Latin music continues to evolve by blending traditional genres with modern sounds. The song is primarily a vallenato track, with its signature accordion and percussion rhythms driving the melody. However, it also incorporates elements of reggaeton, particularly in the rhythmic structure and beat, which give the song a modern, danceable feel.
The song’s fusion of vallenato and reggaeton reflects the growing trend in Latin music where artists from different genres collaborate to create something fresh and appealing to a wider audience. The result is a track that stays true to its cultural roots while also appealing to the global market. The balance between the traditional vallenato sound and the urban edge brought by Natti Natasha creates a unique and energetic musical experience.
Lyrics and Themes
The lyrics of “Justicia” revolve around themes of love, heartbreak, and reconciliation. The song tells the story of two people who have hurt each other in the past and are now seeking justice for the emotional pain they have caused one another. It is a conversation between two lovers, with both parties admitting their mistakes and expressing their desire to make amends.
Silvestre Dangond’s passionate delivery, typical of vallenato, brings a raw emotional quality to the song. His voice, combined with the mournful yet lively sound of the accordion, captures the essence of heartbreak. Natti Natasha, with her sultry and assertive vocal style, provides a contrast, representing the strength and empowerment of a woman who knows her worth.
The chorus, “Voy a hacerte justicia, si te fallé lo lamento” (I will do you justice, if I failed you, I’m sorry), reflects the theme of redemption and the desire to make things right. The interplay between Dangond and Natasha throughout the song creates a dynamic conversation, where both parties take responsibility for their actions and express a mutual desire for reconciliation.
Visual Aesthetics: The Official Video
The official video for “Justicia” is as colorful and vibrant as the song itself. Set in an idyllic tropical location, the video features stunning visuals that complement the lively and upbeat nature of the track. The use of bright colors, energetic dancing, and scenic outdoor locations adds to the festive and celebratory atmosphere of the song.
Silvestre Dangond and Natti Natasha are the focal points of the video, and their chemistry on screen reflects the emotion conveyed in the song’s lyrics. The choreography, which includes elements of both traditional vallenato and urban dance, further emphasizes the fusion of genres. The dancers in the video, dressed in tropical and colorful outfits, perform energetic routines that capture the joyous spirit of the song.
One of the highlights of the video is the interplay between the two artists. Dangond, with his charismatic stage presence, brings the heartfelt emotion of vallenato to life, while Natasha, with her confident and sensual demeanor, adds a modern, urban flair to the performance. The video is a visual representation of the balance between tradition and modernity that the song achieves so well.
Reception and Impact
“Justicia” was a commercial success, particularly in Latin America, where it topped charts and became a favorite at parties and celebrations. The song’s infectious rhythm and relatable lyrics made it a hit among fans of both vallenato and reggaeton. It also received significant airplay on Latin radio stations, further cementing its popularity.
The collaboration between Silvestre Dangond and Natti Natasha was praised for its innovative approach to blending genres. By bringing together vallenato and reggaeton, the two artists showcased the versatility of Latin music and its ability to evolve while maintaining its cultural identity. This cross-genre collaboration also introduced vallenato to a younger, urban audience, while reggaeton fans were exposed to the richness of Colombian folk music.
“Justicia” also helped further elevate Natti Natasha’s career, showcasing her ability to succeed in genres outside of reggaeton. For Silvestre Dangond, the song was another step in his mission to modernize vallenato and bring it to a global stage.
Conclusion
“Justicia” by Silvestre Dangond and Natti Natasha is a perfect example of how Latin music can blend tradition with modernity to create something fresh and exciting. The song’s fusion of vallenato and reggaeton, combined with its heartfelt lyrics and vibrant visuals, makes it a standout track in both artists’ repertoires. As Latin music continues to evolve and expand globally, songs like “Justicia” highlight the importance of cultural collaboration and the power of music to bring different worlds together.
LYRICS:
Y te vi llegar, no pude evitar preguntarte
Pude notar en tus ojos tristes que lloraste, lloraste, lloraste
Te maltrató, dime qué te hizo ese cobarde
Su mamá no le enseñó que eso a una mujer no se le hace
No se hace, no se hace (no, no, no, no, no)
Déjame quitarte el maquillaje
Déjame sentirte y abrazarte
Píntate la boca y ponte bella
Quiero verte así como eras antes
Deja el sufrimiento en el espejo
Coge tu cartera, y yo manejo
Cómplice la noche de nosotros dos
Y él te hace dormida (wuepa)
Y tú aquí en mi cama (aaah)
Muertos de la risa (jajaja, uy)
Y él no sabe nada
Yo no soy bandida (no, no)
Yo soy una dama (sí)
Hicimos justicia porque en el amor
El que la hace la paga (ay)
El que tenga tienda que la atienda
O que salga de ella y que la venda
Si un hombre es quien la pega eso es un macho (wuh)
(Y que es una mujer cuando pone los cachos)
Él no sabe que ella tiene suplente
Es que hace tiempo nadie me pone caliente (uy)
Que me mete con flores y no con golpes
Y si él no te da cariño, yo me atrevo
Lo que es viejo pa’ uno, pa’ otro es nuevo (nuevo)
Si se cansa, llegó el relevo (aquí estoy yo)
Lo que es viejo pa’ uno, pa’ otro es nuevo
Y si él no me da cariño, yo me atrevo (así)
Lo que es viejo pa’ uno, pa’ otro es nuevo (sigue así)
Si te llamo, le haces relevo (jajajaja)
Lo que es viejo pa’ uno, pa’ otro es nuevo (nuevo, ay)
Déjame quitarte el maquillaje
Déjame sentirte y abrazarte
Píntate la boca y ponte bella
Quiero verte así como eras antes
Deja el sufrimiento en el espejo
Coge tu cartera, yo manejo
Cómplice la noche de nosotros dos
Y él te hace dormida (wuepa)
Y tú aquí en mi cama (aaah)
Muertos de la risa (uy)
Y él no sabe nada
Yo no soy bandida (no, no)
Yo soy una dama (sí)
Hicimos justicia porque en el amor
El que la hace la paga (ay)
Y él me hace dormida (wuepa)
Y yo aquí en tu cama
Muertos de la risa (uy)
Y él no sabe nada
Tú no eres bandida (no, no)
Tú eres una dama (sí)
Hicimos justicia porque en el amor
El que la hace la paga (ay)
Si él no me da cariño, yo me atrevo
Natti Na, Na-Natti Na
Lo que es viejo pa’ uno, pa’ otro es nuevo
Ay, nos fuimos de doble play