FEFE – 6ix9ine ft. Nicki Minaj, Murda Beatz

“FEFE,” released in July 2018, is a collaboration between the controversial rapper 6ix9ine (Daniel Hernandez), the iconic Nicki Minaj, and producer Murda Beatz. The song quickly became a viral hit, making waves across the music industry and igniting conversations about its infectious beat, catchy lyrics, and the public personas of the artists involved. Despite or perhaps because of its controversy, “FEFE” achieved significant commercial success, cementing its place as a defining track of that summer.

The Collaboration: Unexpected but Effective
“FEFE” brought together a seemingly unlikely duo in 6ix9ine and Nicki Minaj. At the time, 6ix9ine was known for his brash personality, legal troubles, and distinct rainbow-colored hair, which made him one of the most polarizing figures in the rap scene. His style—often characterized by aggressive delivery and provocative lyrics—stood in contrast to Nicki Minaj’s more established and versatile approach to music.

Nicki Minaj, by then already a household name in the hip-hop and pop worlds, brought a level of mainstream appeal to the track. Her inclusion in “FEFE” surprised many, as it marked a significant co-sign for 6ix9ine, who was still relatively new to the mainstream scene. The collaboration with Murda Beatz, known for his trap-infused production style, added a polished yet gritty backdrop that tied the track together.

Musical Composition: Infectious and Simplistic
The musical structure of “FEFE” is deceptively simple but highly effective. The beat, produced by Murda Beatz, is built around a repetitive, minimalist melody that creates an almost hypnotic effect. This melody is paired with a trap beat that emphasizes heavy bass and crisp hi-hats, giving the song a club-ready vibe.

Lyrically, “FEFE” doesn’t stray far from the themes common in trap music—wealth, power, and sexual bravado. 6ix9ine’s verses are straightforward, featuring his signature style of half-sung, half-rapped lines that focus on his rise to fame and the lifestyle that accompanies it. Nicki Minaj’s verse, on the other hand, showcases her versatility, as she effortlessly switches between rapid-fire delivery and more melodic lines. Her presence on the track adds a layer of complexity, as she blends her unique style with 6ix9ine’s more abrasive approach.

The Visuals: A Candy-Colored Fever Dream
The music video for “FEFE,” directed by TrifeDrew and William Asher, is a surreal, candy-colored experience that perfectly complements the song’s playful yet edgy vibe. The video features 6ix9ine and Nicki Minaj in a series of brightly colored, fantastical settings, often surrounded by oversized lollipops, ice cream, and other sweets.

The visual aesthetic is intentionally over-the-top, matching the larger-than-life personas of the artists. The use of vibrant colors and exaggerated imagery creates a sense of unreality, blurring the lines between fantasy and reality. This visual style was both a reflection of 6ix9ine’s persona and a nod to the hyper-stylized world of modern hip-hop music videos.

Reception and Impact: A Divisive Success
“FEFE” debuted at number four on the Billboard Hot 100 and eventually peaked at number three, making it one of 6ix9ine’s most successful singles. The song’s success was bolstered by its viral nature, with the music video quickly racking up millions of views on YouTube. Despite—or perhaps because of—the controversies surrounding 6ix9ine, the song became a summer anthem, widely played in clubs, on the radio, and across social media platforms.

However, the track was not without its critics. Many were quick to point out the legal issues surrounding 6ix9ine, including his involvement in various criminal cases, which cast a shadow over the song’s success. Additionally, some fans and critics questioned Nicki Minaj’s decision to collaborate with such a controversial figure, though she defended her choice by focusing on the music rather than the artist’s personal life.

Legacy: A Snapshot of a Moment in Hip-Hop
“FEFE” remains a significant track in the careers of both 6ix9ine and Nicki Minaj. For 6ix9ine, it marked one of the high points of his early career, showcasing his ability to create a mainstream hit despite—or perhaps because of—the controversies that surrounded him. For Nicki Minaj, it demonstrated her willingness to collaborate with a wide range of artists, even those with whom she might not share a similar background or style.

The song’s success also highlighted the evolving landscape of hip-hop, where viral moments, internet culture, and social media presence often play as crucial a role as the music itself. “FEFE” is a reminder of the ways in which modern hip-hop can blur the lines between music, persona, and spectacle, creating a product that is as much about the experience as it is about the sound.

In conclusion, “FEFE” by 6ix9ine, Nicki Minaj, and Murda Beatz is more than just a song—it is a cultural artifact that captures the zeitgeist of its time. Its success, controversies, and lasting impact make it a track that will be remembered as both a hit and a symbol of a specific moment in hip-hop history.

It’s fuckin’ TR3YWAY!
King of New York, lookin’ for the Queen
Uh, you got the right one
L-let these, l-let these b-b-bitches know, nigga
Queens, Brooklyn, brr, ah!
Murda on the beat so it’s not nice!

Pussy got that wet, wet, got that drip, drip
Got that super soaker, hit that, she a Fefe
Her name Keke, she eat my dick like it’s free, free
I don’t even know, like, why I did that
I don’t even know, like, why I hit that
All I know is that I just can’t wife that
Talk to her nice so she won’t fight back
Turn around and hit it from the back, back, back
Bend her down then I make it clap, clap, clap

I don’t really want no friends
I don’t really want no friends, no

Draco got that kick-back
When I blow that, they all do track
They don’t shoot back, one shot, close range, red dot
Head tight, yeah, I did that, yeah, I live that
Call an Uber with my shooter
With a Ruger, we gon’ do ya
Niggas say they killing people, but I really fuckin’ do it

I don’t really want no friends
I don’t really want no friends, no

He, he tryna 69 like Tekashi, call him papi
Word to A$AP, keep me Rocky
I’m from New York, so I’m cocky
Say he fuckin’ with my posse, copped me Chloé like Kardashi’
Keep this pussy in Versace, said I’m pretty like Tinashe
Put, put it all up in his face, did I catch a case?
Pussy game just caught a body, but I never leave a trace
Face is pretty, ass for days, I get chips, I ask for Lay’s
I just sit back and when he done, I be like: Yo, how’d it taste?
(Yo, how’d it taste?!)

I don’t really want no friends
I don’t really want no friends, no

Ayo, Draco got that kick-back
When it kick-back, you can’t get yo shit back
In fact, this that bitch that: I hate small talk, I don’t fuck with chit-chat
AC just stopped working, so they hit me
Told me bring my wrist back, come through rocking fashions
That got all these bitches like: Yo, what’s that?

I don’t really want no friends
I don’t really want no friends, no

Eeny, meeny, miny, moe, I catch a hoe right by her toe
If she ain’t fuckin’ me and Nicki, kick that ho right through the door (TR3YWAY)
I don’t really want no friends, my old hoe just bought this Benz
Nicki just hopped in this shit, now I won’t see that bitch again

Eeny, meeny, miny, moe (no)
I catch a hoe right by her toe (no)
If she ain’t fuckin’ me and Nicki (no)
Kick that hoe right through the door (no, TR3YWAY)

Mmm, Young Money
Young Money bunny
Colorful hair, don’t care
I don’t really want no friends
I don’t really want no friends, no
I don’t really want no friends
I don’t really want no friends, no
Scum Gang!