Cuatro Babys – Maluma ft. Trap Capos, Noriel, Bryant Myers, Juhn

“Cuatro Babys,” a track by Colombian reggaeton superstar Maluma, featuring Trap Capos, Noriel, Bryant Myers, and Juhn, became one of the most talked-about songs in Latin music when it was released on October 7, 2016. The song’s catchy beat and Maluma’s signature style of blending reggaeton with trap music brought it massive popularity, but it also stirred up significant controversy due to its explicit lyrics and perceived misogynistic content. In this article, we will explore the musical composition, lyrical themes, cultural impact, and the heated debates that “Cuatro Babys” sparked upon its release.

Musical Composition and Production
“Cuatro Babys” is a quintessential example of the Latin trap genre, a subgenre of reggaeton that incorporates elements of Southern hip-hop and trap music. The song’s production is characterized by heavy 808 bass, sharp snares, and a minimalist, dark melody that complements its gritty lyrical content. Produced by Santana the Golden Boy, the track’s rhythm is infectious, with a slow, pulsating beat that makes it a popular choice in clubs and parties.

Maluma’s collaboration with Trap Capos, Noriel, Bryant Myers, and Juhn brings a mix of vocal styles and flows to the track, adding variety and texture to the song. Each artist delivers their verse with a distinct cadence, showcasing their unique contributions to the Latin trap movement. The song’s production, combined with the artists’ performances, creates a powerful and provocative piece of music that resonates with fans of the genre.

Lyrical Content and Themes
The lyrics of “Cuatro Babys” revolve around the story of a man juggling relationships with four different women, each representing a different aspect of his desires. The chorus, which repeats the line “Estoy enamorado de cuatro babys” (“I’m in love with four babes”), sets the tone for the rest of the song, as each verse delves into the details of these relationships. The song is explicit in its depiction of sexual encounters, materialism, and power dynamics in romantic relationships.

While the song’s narrative is presented in a braggadocious manner, typical of trap music, it also delves into themes of infidelity, obsession, and the superficial nature of some romantic relationships. However, the way these themes are presented sparked a significant backlash, as many listeners and critics viewed the lyrics as degrading to women, reducing them to mere objects of desire.

Cultural Impact and Controversy
“Cuatro Babys” quickly gained popularity upon its release, amassing millions of views on YouTube and becoming a viral hit on streaming platforms. However, the song’s explicit content and controversial lyrics led to widespread criticism. Many accused Maluma and the other artists involved of promoting misogyny and objectifying women. The line between artistic expression and harmful messaging was hotly debated, with some defending the song as a reflection of certain realities within the genre, while others called for its removal from platforms due to its offensive nature.

The controversy surrounding “Cuatro Babys” led to petitions calling for the song to be banned, and it sparked discussions about the responsibilities of artists in the portrayal of women in music. Critics pointed out that while reggaeton and trap music often explore themes of love, sex, and relationships, “Cuatro Babys” crossed a line by glorifying behavior that many found problematic.

Maluma responded to the criticism by asserting his right to artistic freedom, stating that the song was meant to be a reflection of a particular lifestyle and not an endorsement of it. He argued that music, like any art form, is meant to provoke thought and discussion, and that “Cuatro Babys” was a portrayal of a character rather than a reflection of his personal values. Despite the backlash, the song continued to be popular, highlighting the complex relationship between controversy and commercial success in the music industry.

Reception and Legacy
Despite—or perhaps because of—the controversy, “Cuatro Babys” became one of Maluma’s most successful tracks. The song’s music video, which features scenes of opulence, women, and a lavish lifestyle, further cemented its place in the Latin trap genre. The video’s visuals, combined with the song’s provocative lyrics, contributed to its viral status.

“Cuatro Babys” also played a significant role in bringing Latin trap music to a wider audience. The song’s success helped to elevate the profiles of the featured artists, particularly Noriel, Bryant Myers, and Juhn, who were already making names for themselves in the trap scene. The track’s blend of reggaeton and trap influences became a blueprint for future hits in the genre, and it opened the door for more explicit and controversial themes in mainstream Latin music.

Conclusion
“Cuatro Babys” by Maluma, featuring Trap Capos, Noriel, Bryant Myers, and Juhn, is a song that left an indelible mark on Latin music, both for its musical composition and the controversy it sparked. The track’s infectious beat and catchy chorus made it a commercial success, but its explicit lyrics led to widespread debate about the portrayal of women in music. While some view the song as a bold expression of artistic freedom, others see it as a problematic example of misogyny in popular culture.

Regardless of where one stands on the issue, “Cuatro Babys” is a reminder of the power of music to provoke discussion and challenge societal norms. It remains a significant piece in Maluma’s discography and a defining moment in the evolution of Latin trap music.

LETRA:

Ya no sé qué hacer
No sé con cuál quedarme
Todas saben en la cama maltratarme
Me tienen bien. De sexo, me tienen bien

Estoy enamorado de 4 babys, siempre me dan lo que quiero
Chingan cuando yo les digo, ninguna me pone pero
Dos son casadas, hay una soltera
La otra medio psycho y si no la llamo se desespera
Estoy enamorado de 4 babys, siempre me dan lo que quiero
Chingan cuando yo les digo, ninguna me pone pero
Dos son casadas, hay una soltera
La otra medio psycho y si no la llamo se desespera

La primera se desespera
Se encojona si se lo echo afuera
La segunda tiene la funda
Y me paga pa’ que se lo hunda
La tercera me quita el estrés
Polvo corridos siempre echamos tres
A la cuarta de una, le bajo la luna
Pero ella quiere con Maluma y conmigo a la vez
Estoy enamorado de las cuatro
Siempre las busco después de las cuatro
A las cuatro les encanta en cuatro
Y yo nunca fallo como el 24
De los Lakers siempre es la gorra
De chingar ninguna se enzorra
Estoy metio’ en un lío, y hasta confundio’
Porque ninguna de mi mente se borra

Me pongo las gafas Cartier, saliendo del aeropuerto
Vestio’ Giuseppe , zapatos en piel
Tú tienes todas mis cuentas de banco y el número de la MasterCard
Tú eres mi mujer oficial, me tiene enamorado ese culote con ese pelo rubio
Pero tengo otra pelinegra que siempre quiere chichar
A veces hasta le llega al estudio
La pelirroja chichando es la más que se moja
La encojona que me llame y no lo coja
Peleamos y me bota la ropa y tengo que llamar a cotorra pa’ que la recoja
Tengo una chiquitita nalgona con el pelo corto
Me dice papi vente adentro, si me preña
Bryant Myers

Y estoy metío en un lío
A todas yo quiero darle
Me tienen bien confundío
Ya no sé ni con cuál quedarme
Y es que todas maman bien
Todas me los hacen bien
Todas quieren chingarme encima de billetes de cien
Me tienen en un patín
Comprando en San Valentín
Ya me salieron más caras que un reloj de Ulysse Nardin
Es que las babys están dura y ninguna de la’ cuatro se ha hecho completa
Dos tienen maridos y ninguna de las dos al marido respetan

Cuatro chimbitas, cuatro personalidades
Dos me hablan bonito, dos dicen maldades
Diferentes nacionalidades
Pero cuando chingan gritan todas por iguales
Quiere que la lleve pal Medallo
Quiere que la monte en carro del año
Que a una la coja, a la otra la apriete
Y a las otras dos les dé juntas en el baño
Digan qué más quieren hacer
El Dirty las va a entretener
En la casa gigante, hay un party en el yate que él quiere tener
No sé si me entiendes, bebé